TrAIN - Directory - TrAIN Members

Dr Michael Asbury

TrAIN Member - Reader

I was born in Teresópolis, in the mountains of Rio de Janeiro, the son of British missionaries. After twenty years in Brazil I came to England to study engineering but fortunately to myself (and others) changed course and went on to complete an MA in The Study of Contemporary Art at Liverpool University and a PhD in the History and Theory of Art at The London Institute (now UAL). The former focused on British art and architecture in the post-war era, while the latter took me back to Brazil through the work of Hélio Oiticica and his relation to the development of modernism in Brazil and elsewhere.
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Professor Oriana Baddeley

TrAIN Member

I was born in Singapore and grew up in Europe and the UK, studying History and Theory of Art at the University of Essex. My doctoral subject formed the basis for work on the 1992 Hayward exhibition The Art of Ancient Mexico. I have written extensively on contemporary Latin American art, notably including Drawing the Line: Art and Cultural Identity in Contemporary Latin America (Verso 1989, co-author Valerie Fraser) and collaborated with inIVA and Gerardo Mosquera to produce Beyond the Fantastic: Art Criticism from Contemporary Latin America (inIVA/MIT 1996).
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Professor Deborah Cherry

TrAIN Member - Deputy Director

I studied in the UK (Edinburgh and London) and I have worked in the UK, the USA, and in Europe, where I am now at the University of Amsterdam. Following my PhD I have written extensively on art in Britain in the nineteenth and early twentieth century with two books, Painting Women (1994) and Beyond the Frame: Feminism and Visual Culture (2000) along with exhibitions such as ‘The Edwardian Era’ (co-curated 1987). These projects, and other essays, have investigated how art and artistic practices and receptions were shaped by formations of gender, race and ethnicity, and relations of power.
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David Dibosa

TrAIN Member

David Dibosa’s research interests focus on issues of spectatorship in relation to contemporary visual culture. He is currently a Co-investigator for Tate Encounters, an AHRC funded research project, looking at migration and national identity in relation to the display of British art. His publications include: Queer Appearances: Gilbert & George’s Visual Strategies in the journal Sexualities (2009); How to Speak Borders in the journal Toplumbilim (2007); Fatal distraction: art-writing and looking at art, in the book Put About: a critical anthology on independent publishing (2004).
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Dr Yuko Kikuchi

TrAIN Member - Reader

I was born in Tokyo and educated in Japan, the USA and UK. After completing a BA in English and American literature and an MA in American Studies, I worked at the School of East Asian Studies, University of Sheffield, and during this period I began my research in craft and design history. A fascination with the local history of Sheffield, and its connection with John Ruskin and the English Arts & Crafts movement, gave rise to my interest in Ruskin’s influence in Japan. Ruskin in Japan 1890-1940: Nature for Art, Art for Life (1997) was my first major joint project, for which I curated an exhibition and produced a publication.
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Carol Tulloch

TrAIN Member - Reader

I was born in England of Jamaican parents and originally trained as a fashion and textiles designer. I gained my Masters degree in the History of Design at the V&A/RCA, London. The combined elements of my personal and professional life have shaped my interest in studying dress and black identities as dialogues on the ‘self’. This has been debated through published articles such as ‘Out of Many, One People’?: The Relativity of Dress, Race and Ethnicity to Jamaica, 1880-1907 (1998), ‘“My Man, Let Me Pull Your Coat to Something: Malcolm X’ (2001), and ‘Strawberries and Cream: Dress, Migration and the Quintessence of Englishness’ (2002).
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Professor Toshio Watanabe

TrAIN Member - Director

I grew up in a transnational environment. My father is Japanese and my mother German from Transylvania in Romania. I was born in Bern, Switzerland, but grew up in Japan. I studied at the Universities of Sophia (in Tokyo), Tokyo, London (Courtauld Institute of Art) and Basel, where I completed my PhD. I first started to teach at the City of Birmingham Polytechnic, where I ran the MA in History of Art and Design. Then I came to Chelsea in 1986, initially as the Head of Art History, later becoming Head of Research and now the Director of the TrAIN Research Centre.
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